

[Bunkamura-Shibuya, Tokyo.]
Based on an autobiography, Gennai Hiraga is portrayed as a two-sided figure (split personality?) and playwright Inoue Hisashi refers to the two sides as "face" and "back." (Two different actors play the two parts.) Gennai's struggle is between his genius (channeled into his life as a doctor, an artist, inventor of the elekitel, and of "catch copy" in advertising; among many other achievements) and his more sinister side (selfish, dark, insensitive, and hedonistic). The play begins when Gennai is favored by a Daimyo lord(Edo Period) to keep company with his son of the same age of 18. Eventually, Gennai goes on to study at a university in Nagasake, the major entry port for the import/export industry, rife with foreign influences (mainly Dutch at that time), both positive and negative. Gennai's success and positive contributions are also hindered by his former childhood playmate, the Daimyo's son. The play was staged beautifully in 22 scenes changed rapidly by "stage hands" in all black clothing and black hoods under low lighting. The general atmosphere was tongue-in-check, and even the raunchy scenes were too kitschy(deliberately) to be offensive...and there was something for everyone. After more than 4 hours, including a 20 minute intermission, the story ends tragically. The photos are of the playbill and of the stage upon audience arrival where several of the actors were dressing in the dressing room at stage back. Then for the story, a backdrop concealed the dressing room, with a full floor to ceiling/stage left to stage right, smoky tinted MIRROR--a fabulous effect.